A wonderful afternoon opening reception for INSIDE THE BOX here in SK. It was great to see people interacting with these things that I have been dancing with for over 7 months. The fourth dimension of creativity- your audience.
Fine Artist, Painter, American, Expat living in South Korea
GALLERY ART AND ART
PAUL FORTUNATO: INSIDE THE BOX
September 8 to 19, 2018
6 Daeheung-ro 121 buen-gil, Jung-gu, Daejeon, Republic of Korea
Gallery Art And Art, a private art gallery, is pleased to present ‘Inside The Box’, a solo exhibition of paintings by American expat Paul Fortunato (b. 1962). The exhibition will showcase 19 new works from the series ‘Fork This Side: Inside The Box’ by the artist completed over the last 7 months.
The exhibition title is multi- layered. Paul Fortunato has been living in South Korea since 2015. The works combine fantasy and anecdotal narratives, with references to American and foreign films and music. The ‘box’ refers to having created this set of mostly large scale paintings in a very small room, an implosion of sorts. His former studio in Ossining, New York was an immense space with 23 foot ceilings. Here in Korea he works in a room a mere fraction of that size.
The informed work combines darkness, shock, beauty, humor, sexuality, weirdness, and commentary on the state of the world. Titles are often literal and visual puns.
‘Putto Down’ expresses feelings of disorientation, and of bearing witness to the ‘soul clipping’ in Asian society, a kind of glass box that is clear from the inside, and opaque from the outside. ‘The Next Emperor’, a play on the title and movie poster of the 1987 Bernardo Bertolucci film ‘The Last Emperor’, further addresses the clipping, in addition to ultra consumerism and the male obsession with power.
On a formal level ‘box’ refers to six of the works having been executed on found crate panels, which have built-in, rugged, air-nailed frames, ready for hanging.
The box also refers to the artist’s feelings of isolation and culture shock associated with a new life overseas, and seeing America from a completely different perspective. It is a box turned inside out, myopic, many of its residents only willing to look in, and yet, just another box in the world, quickly losing what it had.
The box refers to his becoming a ‘bubble expat’, who has not-so-quietly retreated to the box between his two ears, focusing his creative powers like never before.
The subject matter flows from his imagination. There are some overt references to American cinema. ‘Wizard of the Apes’, is a mash-up of ‘The Wizard of Oz’ and ‘Planet of the Apes’ and it encapsulates the theme of the show. The artist (Dorothy) is surrounded by mutant ape/Oz characters. A chimp/Picasso ghost, lurking in the cape of the Wicked Witch and holding his cigarette with her green hand, looks down at Dorothy with contempt as s(he) gives him the brush-off.
‘Son of Kong’, the title from the original 1933 film by Willis O’Brien, is a haunting political statement about racism in America. Here the white ape protagonist effortlessly mutilates and hurls KKK rally figures through space with his magic ‘ET’ finger.
‘Beggars’ Banquet’, after the Rolling Stones album title, is a visceral statement about the crisis of democracy now unfolding in the USA.
Paul is deeply passionate and troubled by the environmental degradation facing our planet, and he grapples with those concerns in the best way he can, through painting. His love of nature finds its way into his art, no matter how dark the image. There is no mercy in it for the fools who destroy our world and its wildlife.
Environmental statements can also be read in ‘Revenge of the Game 2’, inspired by the brontosaurus sequence in ‘King Kong’(1933), ‘Revenge of the Game’ and ‘Flipper’.
‘Inside the Box’ pushes back on the encroaching ‘digital desert’ where he finds himself living, a place with the fastest internet speed in the world, but where there is little regard for the hard copy, much less painting.
Paul Fortunato was born in Flushing, New York. He received a BFA from the School of Visual Arts in 1994. He taught drawing and painting at SVA for 23 years before taking a professorship at Hanbat National University in Korea, teaching drawing. He has exhibited in numerous group shows in the States and abroad, and has had three solo exhibitions. This latest one is his first overseas solo painting exhibition. He is the recipient of several significant awards, including The Elizabeth Foundation for the Arts, MacDowell Colony, and the National Academy of Design.
For more information, please visit https://fortunatopaul31.com to see all the new works in the show, and www.paulfortunato.com to see the best of what he has painted from 1993 to 2014.
Email: fortunatopaul31@gmail.com

PAUL FORTUNATO
INSIDE THE BOX
2018 Paintings
I have been living in South Korea since 2015, after living in New York my whole life. It took me 3 years to get my creative footing back and to be painting like I should be. These 27 works, completed within the last 6 months represent my return to the game. All images Copyright © 2018 Paul Fortunato. All rights reserved. Unauthorized use, copying or reproduction prohibited.

PUTTI DOWN, acrylic on crate panel, 131.5 X 77.5 cm, 52 X 31 inches

ANOTHER PUTTI DOWN, acrylic on wood, 120 X 152 cm, 47 X 60 inches

CUPID’S LAST ARROW, acrylic on wood, 120 X 203.5 cm, 47.25 X 80 inches

“VICTORIA EDWARDS, MEAT THE DUNG BEATLES”, acrylic on wood, 120 X 203.5 cm, 47.25 X 80 inches

GONE WITH THE GUST, acrylic on wood, 123 X 88.4 cm, 47.5 X 88.4 inches

WIZARD OF THE APES, acrylic on crate panel, 80 X 129 cm, 31.5 X 51 inches

“WHAT IS IT?” acrylic on wood, 116 X 137 cm, 45.7 X 54 inches

THE DEATH OF SHITTY-VACUUM SWINGER, acrylic on wood, 119 X 118.5 cm, 47.25 x 46.5 inches
ATTACK OF THE DOG-EATING MUREX, acrylic on crate panel, 109 x 94.5 cm, 43 X 37 inches

BLUE CHRIST PAINTS HIMSELF WITH HIS TONGUE, acrylic on masonite, 55X 36.5 cm, 21.6 X 14 inches

SANTA CLAWS 2, acrylic on wood, 120 X 203 cm, 47.25 X 80 inches

PLESIOSAUR FREE STYLING IT, acrylic on wood, 203 X 120 cm, 80 X 47.25 inches

GIRL AT NIGHT, acrylic on crate panel, 80 X 129 cm, 31.5 X 51 inches

HEAD, acrylic on wood, 132 X 97 cm, 52 X 38 inches

WALKING TALL, acrylic on wood, 209.7 X 89.5 cm, 83 X 35.5 inches

ARCTIC LACEWING CAT, acrylic on wood, 61 X 62 cm, 24 X 24.4 inches

FLIPPER, acrylic on pink foam insulation board, 182 X 70 X 8 cm, 71.7 X 27.5 X 3 inches

CYCLOPEAN CAT MAMMOTH, acrylic on wood, 79 X 132 cm, 31 x 52 inches

THE NEXT EMPEROR, acrylic and auto wheel caps on crate panel, 94 X 74 cm, 37 X 29 inches

BEGGARS’ BANQUET, acrylic on masonite, 40 x 56 cm, 15.7 X 22 inches

LEAVE ME THE FUCK ALONE, acrylic on wood, 51.5 X 80 cm, 20 X 31.5 inches

SON OF KONG, acrylic on wood, 54 X 78 cm, 25 X 31 inches

RINGED OCTOPUS, acrylic on framed masonite panel, 42 X 63 cm, 16.5 X 25 inches

REVENGE OF THE GAME 2, acrylic on wood, 203 X 120 cm, 80 X 47.25 inches

REVENGE OF THE GAME, acrylic on crate panel, 165 X 153.5 cm, 65 X 60.4 inches
DIGITAL FUTURE, acrylic on framed, mounted Korean calligraphy on mulberry paper, 62 X 43 cm, 24.4 X 17 inches
The concept of “INSIDE THE BOX” is multi-dimensional and layered. It is about working on found crate panels, on living abroad as an expat for the first time in my life, and the confinement of culture shock. I created all of these works in a room roughly 19 feet X 9 feet X 7 feet. The creative challenge of engineering the room (with 5 cats no less) to make all this happen became part of the theme. It is also about finding the space to create within the box between my ears. I will be including many of these works in an upcoming solo painting exhibition this September here in the ROK, my first overseas solo painting show. I will be posting updates on that.
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